Andy Messerschmidt: Monolith Mode

August 3 – September 28, 2019

Catalogue essay by Christopher Atkins

 

Artist Statement

The American landscape has sustained brutal changes, and its short history only underscores the brutality. Seen by turns as an untouched paradise to control, a lush mystery to explore, a powerful force to be subdued, or a sanitized growing medium to produce, the land has been changed and changed again. Westward expansion enabled land grabs and territory shaping. The draining of swamps, damming of rivers, and digging of canals produced towns. Slashing, burning, and tillage made way for Monoculture.

The Agroccult series does not depict these events in a way that is immediately recognizable; rather, it focuses on the land itself as a stage for the series of tragedies enacted upon it. Images of archetypal mysticism peek through the curtains of traditional landscapes, asking the viewer to question the ritual, the beliefs, the motives of its cultural totems and memorials now appearing on stage. Where do our land ideologies and geographic xenophobias come from? What is the burden? Can we be forgiven?

Installation images:

Andy Messerschmidt, Artist Bio

Andy Messerschmidt (1976, Illinois/USA) currently lives and works in Ely, Minnesota at the conflux of the Boundary Waters Canoe Area Wilderness and the rim of the Canadian Shield to the north. He received his MFA in painting and drawing from the University of Minnesota in Minneapolis, Minnesota in 2002 and earned his BFA from Millikin University in Decatur, Illinois in 1999. Andy has shown extensively in New York at Plane-Space Gallery for seven years and continues to have shows in the United States and abroad.

Recently, he has exhibited in Germany, Japan, Greece, Kansas City, Philadelphia and Minneapolis. His ongoing Agroccult series is a body of over 1,000 landscape paintings depicting geomancy and metaphoric stimulation of the Earth’s nervous system through acupressure applied by humans.

Monolith Mode checklist:

Christopher Atkins catalogue essay:

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Weaving Community Together: Bruce Engebretson & Luisa Fernanda Garcia-Gomez